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Pure Country



Dusty confronts Buddy about the lie he told the press. Dusty threatens to sue Buddy if he ever shows his face in country music again and Buddy leaves. Lula is grateful for his intervention to which Dusty brings up Harley's name. His first appearance after his "vacation" is in Las Vegas at the same time as the rodeo Harley Tucker is competing in. Lula secretly arranges for Harley and her family to get tickets to Dusty's Show. Once seated she sends an attendant to get Harley where she admits the truth to her. True to his wishes, he does the show without all the smoke and the lights, and sits on the edge of the stage, playing guitar and singing "I Cross My Heart", a special love song he has composed for her, which wins him Harley's forgiveness. The two hug at the edge of the stage.




Pure Country



On the television program Siskel and Ebert in 1992, film critics Gene Siskel and Roger Ebert both gave the film a "Two thumbs down" rating, but their reviews were more mixed than negative. Both praised George Strait's performance, feeling that he was a convincing actor in the lead, especially considering the challenges of a singer becoming an actor, and they both enjoyed Isabel Glasser's performance, but felt the film was undermined by a hokey story, and no moments for satire which would have made the film better.[5][6] Film critic Leonard Maltin, in his annual Movie and Video Guide, also gave the film a mainly negative but somewhat mixed review, giving it two stars out of four and wrote: "This Strait showcase is mostly pure tedium, though the film picks up some in hour two with the appearance of Glasser, and Rory Calhoun as her father".[citation needed]


A sequel to Pure Country, Pure Country 2: The Gift was released on October 15, 2010.[7] Pure Country 2: The Gift has no storyline connection to the original film written by Rex McGee. Instead, it focuses on a young woman's struggles to become a country singer. George Strait appears as himself, but not as a central character of the film.


Pure Country is the soundtrack album to the 1992 film of the same name, and the thirteenth studio album by American country music singer George Strait. The film stars Strait as fictional country singer Dusty Chandler, and the album consists mostly of songs sung by Dusty in the film. The Pure Country soundtrack is Strait's first soundtrack album. It was released in 1992 by MCA Records.


Music videos were made for "I Cross My Heart" and "Heartland".[4] Both of these songs were Number One hits for Strait on the Billboard country charts, and "When Did You Stop Loving Me" (which was later recorded by George Jones on his 1998 album It Don't Get Any Better Than This) was a #6 hit. "Overnight Male", originally recorded by B.B. Watson on his 1991 debut album Light at the End of the Tunnel, also charted at #72 from unsolicited airplay. "Last in Love" was originally recorded by J.D. Souther on his 1979 album, You're Only Lonely. "The King of Broken Hearts" and "Where the Sidewalk Ends" were written or co-written and originally recorded by Jim Lauderdale on his album, Planet of Love. The former was later recorded by Mark Chesnutt on his 1995 album Wings, and by Lee Ann Womack on her 2008 album Call Me Crazy. The latter was also recorded by Jann Browne on her 1991 album, It Only Hurts When I Laugh.


"Pure Country" tells a laborious but likable story, not amazingly original, about a country music superstar who tires of performing in big stadium extravaganzas, and begins to yearn for the days when it was just him and his acoustic guitar. He has a point.


The movie stars George Strait, himself a country superstar, in a role which probably reflects autobiographical musings if not actual facts. This is the latest of several introspective country music biopics - John Mellencamp's "Falling from Grace" and Willie Nelson's "Honeysuckle Rose" come to mind - in which a star wearies of touring and goes back home to his roots. Singers who are seriously considering this strategy might also want to study Paul Simon's "One Trick Pony," in which a singer is granted his wish, and winds up back in those little clubs with his acoustic guitar, working for peanuts.


These dramatic scenes are interrupted by a great many country songs - too many, if we take Dusty seriously in his dislike for the music - and everything leads up to a big romantic climax in Las Vegas, where Dusty walks down to the end of the runaway and sits down on the edge of the stage, right in front of Harley and her family, and plays her a song on his acoustical guitar.


Out of all the country stars of the Eighties and early Nineties, George Strait was perhaps the most unlikely candidate for movie stardom. The hit-maker was notoriously reticent to do on-camera interviews, and his performances emphasized songs above attention-getting stage moves.


George Strait was perhaps the most far fetched contender for movie stardom out of all the country stars in the 1980s and 1990s. The undisputed King of Country Music was notoriously known for avoiding on-camera appearances earlier in his career and has long stopped doing media interviews.


The Pure country grill and bar is an excellent place for families with children to large business and private groups.They cater to your needs even to small buffets but give advance notice.The food is excellent and the menus has a wide variety to choose from


"Pure Country" has probably been forgotten by all but the most fervent Strait fans. That's as it should be. Unlike Chandler, Strait wasn't really meant for the big screen; his acting range barely extended to playing a similar-but-different country music superstar named Dusty Chandler. (No relation to our Kyle.) Dusty is burned out by "the smoke and the lights" of his concerts, so he runs away to reconnect with his homespun roots and to work as a ranch hand. That's fine, but what about the fans?


Enter the villain of the piece: Buddy Jackson (Chandler). Buddy longs to be a country superstar, so he offers to be a lip-synching Dusty double for a concert or two. Dusty's desperate manager Lula (Lesley Ann Warren) agrees to the ploy, hoping to buy time and locate the erstwhile singer. But trading in his broom-guitar for a real one makes Buddy too big for his britches. He tries his hand at blackmail and winds up with nothing but a ten-gallon hat to call his own. Watch the entire dramatic arc of his character below:


Pure Country captures the charm of farmhouse and country-chic style décor. The perfect gingham print wallpaper, delightful berry and vine trails, pretty plaids and Americana motifs are beautifully offset by a scenic variety of wallpaper borders. Allow your home to tell a story of warmth, family gatherings, and rustic beauty. Mix prints for good cheer and enjoy todays most inviting country home inspirations.


PURE COUNTRY is the soundtrack to Strait's film debut, offering a variety of swinging shuffles, traditional honky tonk, weepy ballads and country rockers. He wears his influences proudly, and having been doing it so well for so long, he has, in turn, become a major influence on the next generation of new traditionalists. One can clearly hear Merle Haggard, Bob Wills and George Jones in his music; but give a listen to new guys like Clay Walker, and you'll hear a distinctive George Strait influence.


Riding a flat-bed of fiddle, pedal steel and genuinely heartfelt vocals, Strait takes the listener on a tour of the country singer's world. On the uptempo "Heartland," George explains that to "sing a song about the heartland" is to "sing a song about my life." The album's hit, "I Cross My Heart," is a strong love ballad co-written by one of Nashville's best current songwriters, Eric Kaz. A gentle fiddle leads the listener into the cry-in-your-beer classic "When Did You Stop Loving Me," and before long the fiddle is weeping alongside George. Strait cuts loose on several songs, but its the trademark hard country tracks like Mel Tillis' "Thoughts Of A Fool" that work best. Jim Lauderdale provides the strongest and most traditional sounding material (particularly "King Of Broken Hearts"), yet both of his songs have clever, modern musical twists. 041b061a72


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